- This event has passed.
Drive-In Chill-Along: THE THING & FARGO
November 19 @ 7:30 pm - 11:30 pm$17 – $42
The American Cinematheque and Beyond Fest screen THE THING (1982) & FARGO (1996) at Mission Tiki Drive-In. Gates open at 6:30pm; audiences are advised to arrive early to avoid long lines. Cars will park in a checkerboard pattern, and social distancing must be maintained.
About the films:
THE THING,1982, Universal, 109 min, USA, Dir: John Carpenter. Director John Carpenter took the 1951 sci-fi classic THE THING FROM ANOTHER WORLD, produced by Howard Hawks, and turned it into something darker, fiercer and altogether more disturbing, pitting sombrero-wearing helicopter pilot Kurt Russell and a crew of Arctic scientists (Wilford Brimley, Donald Moffat, Richard Dysart) against a ravenous, shape-shifting alien being. From the haunting opening shots of a sled dog fleeing across the snow to the apocalyptic, fire-and-ice ending, this ranks with Ridley Scott’s ALIEN as one of the finest (and most beautifully crafted) sci-fi films of the past 30 years. The film was terribly underrated by critics on its initial release but its stock has constantly risen in the ensuing decades as one of the most intelligent, scary and uncompromising horror films of the 1980s. Also starring Keith David and David Clennon.
FARGO, 1996, Park Circus/MGM, 98 min, USA, UK, Dir: Joel Coen, Ethan Coen. One of Joel and Ethan Coen’s most acclaimed films (they won Oscars for their screenplay and Frances McDormand got one for Best Actress). Cool, calm, collected (and pregnant!) policewoman Marge (McDormand) tracks the kidnappers of a used car salesman’s wife in North Dakota’s snow-covered wasteland. Salesman Jerry’s (William H. Macy) inept plot to get out of debt by staging the hoax unravels in gory fashion when his two bizarrely mismatched henchmen (Steve Buscemi and Peter Stormare) have a falling-out. That hulking Stormare’s nonchalant, bloodcurdling use of a woodchipper at the climax emerges as both chilling and hilarious testifies to the Coens' complete mastery of tone in the filmmaking process. “…an illuminating amalgam of emotion and thought. It glimpses into the heart of man and unearths a blackly comic nature, hellishly mercurial and selfish, yet strangely innocent. If it weren't so funny, it would be unbearably disturbing.” – Arnold Wayne Jones, The Dallas Observer; “A crime gem that is darkly funny even when it's chilling -- and certain to become a classic.” – Peter Stack, The San Francisco Chronicle.